To marvel at stars
Meteors streak steady time
We travel through space!
To marvel at stars
Meteors streak steady time
We travel through space!
Soundless fowl in mist
Moonlit no-thingness of life
Gulls squawk, the road hums
Birds. They embody the un-embodied. They are as the very wind, a zephyr. Almost pure spirit — if not for the feathers. My attraction to them is echoed in all my worldly attachments, most of which aren’t that worldly. As you may have gathered by my photography and writing, I am drawn to the sky and stars.
I am also drawn to birds for this same — in alchemical terms — overabundance of spirit. I have been in turmoil, mind and body in a tortured battle for supremacy. This blind dualism has been further reinforced by a tumultuous and destabilizing romantic relationship. No doubt my Achilles heel, and as a Freudian analyst would say, yet another reason I like “birds”. The Id is a real pun-y guy.
Yesterday mind and body just collided…Bits came apart and things curled off in wild orbits, lacking any cohesiveness. The body was damaged — scarred but still fully functional — and the mind shifted uncomfortably.
And where was spirit? Somehow in the midst of all that spirit appeared. And it brought calm to what could have been an even worse situation.
This morning, after it was all over, I went outside. And there were the birds. There was a wet, foggy, quiet over everything, what one might call the ideal bird environment. It’s in those times when I think birds remember their deepest Jurassic roots. One might even say life remembers. Dinosaurs with feathers has always seemed like an apt phrase.
The birds were everywhere. Little songbirds — sparrows, finches, juncos — fluttered in and out among the leafless branches in the garden. The air was alight with “bird-ness”. A Stellar’s Jay, boisterous and bold, chased the smaller birds away from the neighbor’s feeder.
I decided to do more than step outside briefly and actually immersed myself in the space. I grounded myself, took a few breaths and found Malkuth very deeply…
And just as I opened my eyes an eagle soared across my field of vision and perched on one of the highest nearby trees. He displaced a companion, who settled on the top of another tree beside him.
As I just watched (I often ask now…When do we “just watch”?) these two regal incarnations of spirit I thought of a quote from a book I am currently reading — Eckhart Tolle’s A New Earth — that reminded me of why I — and in some way we all — like birds:
“Since time immemorial, flowers, crystal, precious stones, and birds have special significance for the human spirit. Like all life-forms, they are, of course, temporary manifestations of the underlying one Life, one Consciousness. Their special significance and the reason why humans feel such fascination for and affinity with them can be attributed to their ethereal quality.
Once there is certain degree of Presence, of still and alert attention in human beings’ perceptions, they can sense the divine life essence, the one indwelling consciousness or spirit in every creature, every life-form, recognize it as one with their own essence and so love it for themselves. Until this happens, however, most humans see only the outer forms, unaware of the inner essence, just as they are unaware of their own essence and identify only with their own physical and psychological forms.
In the case of a flower, a crystal, precious stone, or bird, however, even someone with little or no Presence can occasionally sense that there is more there than the mere physical existence of form, without knowing that this is the reason why he or she is drawn towards it, feels an affinity with it. Because of its ethereal nature, its form obscures the indwelling spirit to a lesser degree than is the case with other life-forms. The exception to this are all newborn life-forms — babies, puppies, kittens, lambs, and so on. They are fragile, delicate, not yet firmly established in materiality. An innocence, a sweetness and beauty that are not of this world still shine through them. They delight even relatively insensitive humans.
So when you are alert and contemplate a flower, crystal, or bird without naming it mentally, it becomes a window for you into the formless. There is an inner opening, however slight, into the realm of spirit. This is why these three “en-lightened” life-forms have played such an important part in the evolution of human consciousness since ancient times; why, for example, the jewel in the lotus flower is a central symbol of Buddhism and a white bird, the dove, signifies the Holy Spirit in Christianity. They have been preparing the ground for a more profound shift in planetary consciousness that is destined to take place in the human species. This is the spiritual awakening that we are beginning to witness now.”*
As I continued to turn this idea — the symbolic bird — around in my mind I also tried to get beyond the “I” of it. Of what it means to me. Today, because of the “news” of the world, I thought of Maya Angelou’s I Know Why The Caged Bird Sings, a book largely devoted to her experiences of racism growing up in the southern US. I reflected on the powerful sway of ego in the world we live in, and of the way it generates notions of race and of identity — both as it is lived and as it is projected onto the living. I think the final stanza of the poem that the book’s title centres around is a universal (that isn’t universal):
The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.
For much of the last few months I have bemoaned what I perceived as my own loss of freedom, something that has been difficult for me to understand and accept. In truth I have access to a kind of freedom, a kind of privilege, if you will, that many do not have. And yet, in a way as the above quote suggests, we can all have access to that privilege — that freedom. And this is true even when we aren’t free.
I don’t know what that means. It doesn’t mean much.
But it does leave me with a question:
When did we start caging birds at all? And why?
*Quote From Eckhart Tolle, A New Earth: Awakening to Your Life’s Purpose (New York: Plume [Penguin], 2006), 3-5.
What is a wave?
That’s like asking
what is life
A wave bobs and swells
whitecaps bubble up in the wind
Some waves come in hard
a resounding roar
only to be cut down by the ebb
until they curl onto rock and sand
at just the right
What is a wave?
A purity of energy
The constant flow of time
The wave is eternity
The wave is always there
Even when seas fall calm
on a windless foggy morn
a gentle motion
And on a day like this
when the storm has passed
afternoon sun comes out
The wind is fresh
the crashing sound
like the heartbeat of the earth
Wild splashy crests
to simmering veins of sea foam
What is a wave?
On a day like this
a wave is
Lovely satirical poem in Kurt Vonnegut Jr.’s The Sirens of Titan:
“Break every link with air and mist,
Seal every open vent;
Make throat as tight as miser’s fist,
Keep life within you pent.
Breathe out, breathe in, no more, no more,
For breathing’s for the meek;
And when in deathly space we soar,
Be careful not to speak.
If you with grief or joy are rapt,
Just signal with a tear;
To soul and heart withing you trapped
Add speech and atmosphere.
Every man’s an island as in
lifeless space we roam.
Yes, every man’s an island:
island fortress, island home.“
From Kurt Vonnegut Jr., The Sirens of Titan (New York: Delta, 1971), 152-53.
Late light, crows speaking
Half-moon bright above the trees
Black winged brothers
Is there a greater regret than forgetting beauty? To have known the beautiful — truly, immanently, intimately — and to forget that fact is akin to death. It is certainly a tragedy.
Simple stunning beauty, like the rich, subtle gradations of color in a perfect sunset, is never really forgotten. It lives within, it makes up our being.
But one must make the effort — must remember the light — the brilliant, beautiful, life-giving light — even in the depths of darkness. It is that which nourishes and sustains.
Beauty is alchemy. It transforms a leaden heart into a golden glowing grace. It is rock-solid philosophy. Unshakable. A foundation for the ages, immune to any challenge, argument or skepticism.
“She walks in beauty, like the night.” Maybe. Rather her beauty transforms — transmutates — night into day. Makes the darkness shine. Turns subtle shadowy forms into transcendental perfection.
The truth is there’s no regret — no place for sadness. Beauty cannot be forgotten. It will always be. It will not be forgotten. It simply is.
It is the seeing, the remembering — that is the art. To have eyes for the purpose. To open the blinds that cover the windows in a darkened room of the soul. That’s a worthwhile quest.
Beauty…I always remember. And love.
L. Sprague de Camp
They say the men of magic are all dead.
No more does the diviner in his swoon
Perceive the future in his mystic smokes;
No more the reckless sorcerer invokes
A demon fell to serve him. Xaltotun,
Imhotep, Merlin, and the rest, it’s said
Are gone from modern life.
But yesteryear, one who, the tale relates,
Was called MacGregor Mathers, Kabbalist,
Had built his Order of the Golden Dawn,
Donned robes, and struggled with the Devil’s spawn –
The wizard Crowley, skulking Satanist –
And, exiled, played at four-men chess with Yeats,
A ghost, and Mathers’ wife.
Then, too, in London sat, with cigarette
In hand, unkempt and testy, azure-eyed,
The uncrowned empress of the occult world –
Huge Helena Blavatsky. Round her swirled
A horde of chelas who, though daily plied
With dicta from Mahatmas in Tibet,
Were locked in frenzied strife.
And what bewhiskered Alchemist of yore
Made gold from lead with such astute address
As Mrs. Eddy, Hubbard, and their kind
Turn doctrines full of gibberish refined
To fortunes from the dupes that they impress?
With such, as in the mystic times before,
The world will long be rife.
From Anne McCaffrey, ed., Alchemy & Academe (New York: Ballantine, 1970), 41-2.
[N.B. Synchromystically, this is the 666th post on this blog…]